{"id":1969,"date":"2023-11-03T18:56:45","date_gmt":"2023-11-03T17:56:45","guid":{"rendered":"http:\/\/amandinefabry.be\/?page_id=1969"},"modified":"2025-04-22T14:52:49","modified_gmt":"2025-04-22T12:52:49","slug":"projet","status":"publish","type":"page","link":"https:\/\/amandinefabry.be\/index.php\/projet\/","title":{"rendered":"about"},"content":{"rendered":"\n
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tramesFACTICES<\/strong><\/em> explores the very idea of fabric, its architecture, plasticity and representations. The graphic work confuse the perception of the fabric; the stripe is used as a reinforcement to thwart the linearity of the weave. The stripe is not used casually, but rather to highlight the textile culture between the lines. The graphics explore the relationship between interlacing and its motifs. The textile lexicon raised by this research titillates the history of textiles and whispers parallels between graphic design, materiality and heritage.
The graphic work deforms the representation and perception of fabric. The stripe is used as a reinforcement to thwart the linearity of the weave. The textiles represented are flat, but evoke a striped textile folded into a pleat.<\/p>\n<\/div>\n\n\n\n

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tramesFACTICES<\/strong><\/em> sonde l\u2019id\u00e9e m\u00eame du tissu, son architecture, sa plasticit\u00e9 et ses repr\u00e9sentations. Le travail graphique mis en oeuvre trompe la perception du tissu; la rayure vient en renfort pour d\u00e9jouer la lin\u00e9arit\u00e9 du tissage. Elle n\u2019est pas mise en avant fortuitement, elle met en avant entre les lignes toute la culture textile. Les graphismes explorent la relation entre l\u2019entrelacs et ses motifs. Le lexique textile soulev\u00e9 par cette recherche titille l\u2019histoire des textiles et chuchote des parall\u00e8les entre graphisme, mat\u00e9rialit\u00e9 et patrimoine.
Le travail graphique mis en oeuvre trompe la repr\u00e9sentation du tissu et sa perception. La rayure vient en renfort pour d\u00e9jouer la lin\u00e9arit\u00e9 du tissage. Les textiles repr\u00e9sent\u00e9s sont plats mais \u00e9voquent un textile ray\u00e9 mis en pli.<\/p>\n<\/div>\n<\/div>\n\n\n\n

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Photo \u00a9 Wiktoria Synak <\/figcaption><\/figure>\n\n\n\n
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Photo \u00a9 Wiktoria Synak  <\/strong><\/figcaption><\/figure>\n<\/figure>\n\n\n\n
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Behind the very idea of a textile lurks the hypothesis of an application. Ultimately, this production falls somewhere between an assertive plastic creation and more applied developments.<\/p>\n\n\n\n

Stripes have a fundamental link with textiles, questioning the very beginnings of weaving and intuitively inviting itself into the practice; and in meaning so, it has always absorbed my gaze. I can not talk about stripes without mentioning the historical research and enlightening analyses of Michel Pastoureau. .<\/p>\n\n\n\n

Stripes maintain a deep, almost primal bond with textiles; they echo the very genesis of weaving, emerging instinctively through the gesture itself. In this quiet persistence, they have always drawn my gaze. To speak of stripes is, inevitably, to invoke the profound historical insights and insightful reflections of Michel Pastoureau.<\/p>\n\n\n\n

The collection unfolds through a series of small<\/a> or larges format<\/a> woven textiles produced in Belgium<\/a>.<\/p>\n\n\n\n

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Derri\u00e8re l\u2019id\u00e9e m\u00eame d\u2019un textile se tapit l\u2019hypoth\u00e8se d\u2019une application. Cette production s\u2019inscrit en d\u00e9finitive entre une cr\u00e9ation plastique assum\u00e9e et des d\u00e9veloppements plus appliqu\u00e9s.<\/p>\n\n\n\n

La rayure entretient avec le textile un lien fondamental, elle questionne les pr\u00e9mices m\u00eame du tissage et s\u2019invite intuitivement \u00e0 travers cette pratique ; et ce faisant, elle a toujours absorb\u00e9 mon regard. Je ne peux pas \u00e9voquer la rayure sans mentionner les recherches historiques et les analyses \u00e9clairantes de Michel Pastoureau.<\/p>\n\n\n\n

La rayure entretient avec le textile un lien fondamental, elle questionne les pr\u00e9mices m\u00eame du tissage et s\u2019invite intuitivement \u00e0 travers cette pratique ; et ce faisant, elle a toujours absorb\u00e9 mon regard. Je ne peux pas \u00e9voquer la rayure sans mentionner les recherches historiques et les analyses \u00e9clairantes de Michel Pastoureau.<\/p>\n\n\n\n

La collection se d\u00e9plie \u00e0 travers une s\u00e9rie de pi\u00e8ces textiles tiss\u00e9es en petits<\/a> ou grands formats<\/a> r\u00e9alis\u00e9es en Belgique<\/a>.<\/p>\n<\/div>\n<\/div>\n\n\n\n

\u00ab Il y a toujours dans la rayure quelque chose qui r\u00e9siste \u00e0 l\u2019instauration de syst\u00e8mes, quelque chose qui porte le trouble et la confusion, quelque chose qui \u00ab fait d\u00e9sordre\u00bb. Non seulement la rayure montre et cache \u00e0 la fois, mais elle est tout ensemble la figure et le fond, le fini et l’infini, la partie et le tout. \u00bb*<\/em><\/p>\n\n\n\n

* Michel Pastoureau, L\u2019\u00e9toffe du Diable, une histoire des rayures et des tissus ray\u00e9es<\/em>, \u00c9ditions du Seuil, 1991, p.146<\/p>\n\n\n\n

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Avec le soutien de la F\u00e9d\u00e9ration Wallonie-Bruxelles<\/p>\n<\/div>\n\n\n\n

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tramesFACTICES explores the very idea of fabric, its architecture, plasticity and representations.
The graphic work confuse the perception of the fabric; the stripe is[\u2026]<\/p>\n","protected":false},"author":3,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"page-templates\/fullwidth.php","meta":{"remove_blocks_before_content":false,"remove_blocks_after_content":false,"countdown_timer_date_events":"","disable_reading_progress_bar":false,"footnotes":""},"class_list":["post-1969","page","type-page","status-publish","hentry"],"featured_image_src":null,"featured_image_src_square":null,"_links":{"self":[{"href":"https:\/\/amandinefabry.be\/index.php\/wp-json\/wp\/v2\/pages\/1969","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/amandinefabry.be\/index.php\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/amandinefabry.be\/index.php\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/amandinefabry.be\/index.php\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/amandinefabry.be\/index.php\/wp-json\/wp\/v2\/comments?post=1969"}],"version-history":[{"count":37,"href":"https:\/\/amandinefabry.be\/index.php\/wp-json\/wp\/v2\/pages\/1969\/revisions"}],"predecessor-version":[{"id":3767,"href":"https:\/\/amandinefabry.be\/index.php\/wp-json\/wp\/v2\/pages\/1969\/revisions\/3767"}],"wp:attachment":[{"href":"https:\/\/amandinefabry.be\/index.php\/wp-json\/wp\/v2\/media?parent=1969"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}